Painting & Printmaking

Stow Building, 49 students

Painting and Printmaking is the largest specialist programme within the School of Fine Art. The programme of study is practical and theoretical, focusing on enquiry and production in a lively studio environment.

Painting and Printmaking at the GSA reflects the complex and changing conditions, ethics and currencies of art-making, responding to new ideas. An awareness of histories and applications of painting alongside contemporary debate are all fundamental to our programme of study, which acknowledges and critiques painting’s legacies, and prioritises experiment and innovation. Painting is understood as a vehicle of thought and expression, a capture technology and an intellectual discipline. Printmaking is rooted in an exploration of visual representation and dissemination aligned to the materials, processes and formats of established and developing technologies.

The programme encompasses a range of approaches to our disciplines and suggests an expanded field – between what is hand-driven and machinic – from their interactions.

Read the School of Fine Art Preview

The Skinny

from ‘Touch I’ details

from ‘Touch I’

from ‘Reflection’

from ‘Touch I’ details

from ‘Moulding’

from Dandelion Room

from Dandelion Room

from Dandelion Room

from Dandelion Room

from Dandelion Room

from Kimono Patterns and Origami Paper

from Participatory Arts and Community Engagement

from Kimono Patterns and Origami Paper

from Kawaii/Kowai–SO CUTE YOU WANT TO SQUEEZE IT?!

from Charlotte Geekie Degree Show

from Tender Violence (1)

from Gnashing of Teeth

from Gnashing of Teeth

from God almightie first planted a garden of sausages

from Just play the game

from Photography

from Photography

from Additional Works

from Photography

from Additional Works

from Projects

from Projects

from Projects

from Projects

from Projects

from For the Want of a Bone – Part 2

from For the Want of a Bone – Part 2

from For the Want of a Bone – Part 2

from For the Want of a Bone – Part 2

from For the Want of a Bone – Part 2

from Supporting Work

from Degree Show Details

from Degree Show Details

from Supporting Work

from Supporting Work

from Degree Show

from Diary & Poem

from Paintings

from Diary & Poem

from Degree Show

Kem Frances Degree Show

from The Love of Sustained Labour, Details

from The Love of Sustained Labour

from Untitled Painting

from Réalta

from The Love of Sustained Labour, Details

from Pink Urinals and Degree Show works

from Other works

from Pink Urinals and Degree Show works

from Other works

from Degree Show works – Process

from Domain of Ariadne

from Cailleach, Veiled One

from Degree Show Installation

from Degree Show Installation

from Degree Show Installation

from “Tangina Seance”

from “All Of Them Witches”

from “They’re Here”

from “The Fifth Horseman”

from “Ghost Story”

from Artefacts: A community of beings.

from Dig: Opportunities for Enchantment.

from Artefacts: A community of beings.

from Artefacts: A community of beings.

from Dig: Opportunities for Enchantment.

from Burial 55°52’07.3″N 4°15’49.8″W

from ‘Lussa’

from Letters from Delhi

from ‘Black Sheep’

from StudioBasementGalleryGym

from StudioBasementGalleryGym

from StudioBasementGalleryGym

from Rounders

from StudioBasementGalleryGym

from Dream works, oil on board

from Degree Show Installation Shots

from Melville

from Melville

from Melville

from Melville

from Melville

from Microscopic Love Story

from Eulogy for a Drawing II

from Individual Works

from Individual Works

from Individual Works

from TV Dinner (3/4)

from Degree Show

from Degree Show

from TV Dinner (1/4)

from Artist Statement

from Resting

from Whose turn is it?

from That Sunny Afternoon

from Resting

from Sitting Idle

from Swan Song, 2024

from Swan Song, 2024

from Swan Song, 2024

from Swan Song, 2024

from Swan Song, 2024

from Degree Show – Inner Landscapes

from Degree Show – Inner Landscapes

from Capricorn (2024)

from Surface Level (2024)

from Pensive Diptych (2024)

from Origins of a new line

from While you were sleeping

from While you were sleeping

from Origins of a new line

from While you were sleeping

from Untitled 5

from Untitled 3

from Untitled 2

from Untitled 5

from Untitled. 2024

from Untitled. 2024

from Untitled. 2023-2024

from Untitled. 2024

from Untitled. 2024

from POT SHOW 001

from POT SHOW 002

from POT SHOW 003

from HANDS ON

from POT SHOW 002

A film still

from Exorcism of The Mimic

from Degree Show

from Performance: The Mimic

from Performance: The Mimic

from Degree Show

from WARGASMS PAINTINGS.

from WARGASMS PAINTINGS.

from WARGASMS DEGREE SHOW INSTALLATION.

from WARGASMS DEGREE SHOW INSTALLATION.

from WARGASMS PAINTINGS.

from Positives and Negatives

from Driving With Dad

from Positives and Negatives

from Julier Pass

from Innsbruck

Ruled black under red and red

from Etchings on Calico

Night Manager I

from ‘Night Manager’ Series

Degree Show 3

from Degree Show

Gridded black under yellow over red

from Etchings on Calico

Cyan Over Vermilion

from Etchings on Calico

from Drawing & Place

from Drawing & Place

from Drawing & Place

from Mud Map

from Celestial grounds

from Celestial grounds

from Celestial grounds

from Absent light (Pierrot’s collar)

from Absent light (Pierrot’s collar)

from ‘Uhtceare’ Series (Degree Show 2024)

from Other works

from Other works

from ‘Uhtceare’ Series (Degree Show 2024)

from Other works