Painting & Printmaking
Stow Building, 49 students
Painting and Printmaking is the largest specialist programme within the School of Fine Art. The programme of study is practical and theoretical, focusing on enquiry and production in a lively studio environment.
Painting and Printmaking at the GSA reflects the complex and changing conditions, ethics and currencies of art-making, responding to new ideas. An awareness of histories and applications of painting alongside contemporary debate are all fundamental to our programme of study, which acknowledges and critiques painting’s legacies, and prioritises experiment and innovation. Painting is understood as a vehicle of thought and expression, a capture technology and an intellectual discipline. Printmaking is rooted in an exploration of visual representation and dissemination aligned to the materials, processes and formats of established and developing technologies.
The programme encompasses a range of approaches to our disciplines and suggests an expanded field – between what is hand-driven and machinic – from their interactions.




from Dream works, oil on board


from Dream works, oil on board


from Degree Show

from Etchings on Calico

from Etchings on Calico

from Degree Show

from Etchings on Calico


from Paintings

from Diary & Poem

from Paintings

from Paintings

from Paintings


from Projects

from Projects

from Projects

from Projects

from Projects


from Van

from Car

from Cat


from Individual Works

from Eulogy for a Drawing II

from Microscopic Love Story

from Individual Works

from Eulogy for a Drawing










from Degree Show











from Artefacts: A community of beings.

from Artefacts: A community of beings.

from Artefacts: A community of beings.

from Dig: Opportunities for Enchantment.

from Dig: Opportunities for Enchantment.


from Swan Song, 2024

from Swan Song, 2024

from Swan Song, 2024

from Swan Song, 2024

from Swan Song, 2024








from Melville

from Melville

from Melville

from Melville

from Melville


from Beauty Board

from Scalextric


from “The Fifth Horseman”

from “Tangina Seance”

from “Ghost Story”

from “All Of Them Witches”

from “They’re Here”


from StudioBasementGalleryGym

from Rounders

from StudioBasementGalleryGym

from StudioBasementGalleryGym

from StudioBasementGalleryGym


from Positives and Negatives

from Positives and Negatives

from Positives and Negatives

from Positives and Negatives

from Positives and Negatives


from Resting

from The Hidden Note Vase

from Sitting Idle

from Sitting Idle

from Sitting Idle







from POT SHOW 003

from POT SHOW 003

from POT SHOW 001

from POT SHOW 003

from HANDS ON






from An Empty Room Claimed by Three.


from Photography

from Additional Works

from Photography

from Additional Works

from Photography


from Other works

from Other works

from Other works

from Other works

from Other works


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from Untitled 5


from Supporting Work

from Degree Show Details

from Degree Show Installation

from Open For Business

from Supporting Work


from The Love of Sustained Labour, Details

from The Love of Sustained Labour, Details

from The Love of Sustained Labour, Details

from The Love of Sustained Labour, Details

from The Love of Sustained Labour


from For the Want of a Bone – Part 1

from For the Want of a Bone – Part 2

from For the Want of a Bone – Part 2

from For the Want of a Bone – Part 1

from For the Want of a Bone – Part 2


from Mud Map

from Mud Map

from Mud Map

from Mud Map


from Performance: The Mimic

from Exorcism of The Mimic

from Performance: The Mimic

from Degree Show

from Exorcism of The Mimic


from ‘Moulding’

from ‘Moulding’

from ‘Touch I’

from ‘Touch I’ details

from ‘Touch II’


from WARGASMS PAINTINGS.

from WARGASMS PAINTINGS.

from WARGASMS DEGREE SHOW INSTALLATION.

from WARGASMS DEGREE SHOW INSTALLATION.

from WARGASMS DEGREE SHOW INSTALLATION.















from Charlotte Geekie Degree Show

from Kimono Patterns and Origami Paper

from Charlotte Geekie Degree Show

from Participatory Arts and Community Engagement

from Participatory Arts and Community Engagement


from Origins of a new line

from While you were sleeping

from While you were sleeping

from While you were sleeping

from Origins of a new line


from Dandelion Room

from Dandelion Room

from Dandelion Room

from Dandelion Room

from Dandelion Room


from Gnashing of Teeth

from Gnashing of Teeth

from Just play the game

from Just play the game

from Tender Violence (2)


from Pink Urinals and Degree Show works

from Pink Urinals and Degree Show works

from Other works

from Other works

from Pink Urinals and Degree Show works


from Domain of Ariadne

from Degree Show Installation

from Elysium

from Degree Show Installation

from Pillars of Heaven (Nüwa)


from Untitled. 2024

from Untitled. 2024

from Untitled. 2024

from Untitled. 2024

from Untitled. 2023-2024



from Burial 55°52’07.3″N 4°15’49.8″W

from ‘Lussa’

from ‘Black Sheep’

from ‘Lussa’


from Limen

from Absent light (Pierrot’s collar)

from Altarpiece

from Absent light (Pierrot’s collar)

from Celestial grounds


from Twisty (2024)

from Surface Level (2024)

from Degree Show – Inner Landscapes

from Capricorn (2024)

from Surface Level (2024)








from TV Dinner (2/4)

from TV Dinner (1/4)

from TV Dinner (3/4)

from TV Dinner (2/4)





