Master of Fine Art

Glue Factory, 24 students

This two year multidisciplinary programme offers students an extraordinary opportunity to analyse their studio practice in depth, and to modify, develop and secure it accordingly.  The multidisciplinary context also ensures that such developments are protected against narrowly defined ambitions.

MFA students learn from, and contribute to, the delivery of the programme curriculum, the experiences of their peers, and the wider art community based within the city of Glasgow.  Within this situation a premium is placed upon independence, originality, initiative and enterprise.

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Welcome

Introduction to Master of Fine Art

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The Skinny

from The face

from The hallabong is sad

from How to rub my back?

from How to rub my back?

from The face

from A Silent Instrument

from Chinese Interlude

from Chinese Interlude

from Chinese Interlude

from Exit Ghost

from Innerspace

from Innerspace

from Innerspace

from Innerspace

from Innerspace

from Prints

from Sculptures

from Prints

from Prints

The series of relief sculptures is born from the devastated imagery of Gaza's war-torn landscape. The rubble, a somber emblem of destruction and lives lost, speaks to the tragedy of people buried beneath their bombed homes. Within these sculptures, delicate and intricate drawings of children's clothes emerge, serving as poignant reminders of innocence amidst chaos. They serve as a metaphor for the fragility of life, while also bearing witness to the resilience and fortitude of the human spirit.

from Sculptures

from Squalid existence (2024)

from Squalid existence (2024)

from Sleep easy (2024)

from Unbearably missing (2024)

from I saw moths when I was manic

from I saw moths when I was manic

from I saw moths when I was manic

from Projector me

from Karma fire

from Trees02

still

from Seven days

from Oops!

from Kitchen Midden Dog

from Kitchen Midden Dog

from Kitchen Midden Dog

from Kitchen Midden Dog

from Kitchen Midden Dog

from Tipping Point No.1-9

from Tipping Point No.1-9

from Tipping Point No.1-9

from I must hitch up my girl knickers before it’s too late!

from I must hitch up my girl knickers before it’s too late!

from I must hitch up my girl knickers before it’s too late!

from I must hitch up my girl knickers before it’s too late!

A white chalk drawing of an intricate crochet pattern on paving stones

from Printmaking Workshops

a digital drawing of a crochet pattern diagram with installation notes

from Who sets the ground rules?

from Printmaking Workshops

a group of young people sitting and drinking on a white chalk drawing of a crochet pattern on a staircase

from Who sets the ground rules?

a close up of a white chalk drawing of a crochet pattern on paving stones with a ghostly white boot print

from Who sets the ground rules?

from begged borrowed stolen

from begged borrowed stolen

from begged borrowed stolen

from a way \ a lone, a last \ a loved, a long the_____

from begged borrowed stolen

from Icarus burns and I burn with him

from Icarus burns and I burn with him

from but settled and fused

from Icarus burns and I burn with him

from Exuviae

from The human head is really heavy

from The human head is really heavy

from The human head is really heavy

from Wondering if men in suits turn me on or piss me off

from Wondering if men in suits turn me on or piss me off

from DNA mirror

from Where_is_语言_مرضی_nehmen 나? 

from Where_is_语言_مرضی_nehmen 나? 

from 1 Question ⋅ 20 People ⋅ 20 Glasgow ⋅ 20 World

from DNA mirror

from Many Times

from Statement; Q&A

from Statement; Q&A

from Iterations

from (In)visible heritage / residues of labour

from (In)visible heritage / residues of labour

from Iterations

from (In)visible heritage / residues of labour

from Fishing Out the Foul Frog (in my throat)

from Fishing Out the Foul Frog (in my throat)

from Fishing Out the Foul Frog (in my throat)

from Fishing Out the Foul Frog (in my throat)

from Fishing Out the Foul Frog (in my throat)