Master of Fine Art

Glue Factory, 24 students

This two year multidisciplinary programme offers students an extraordinary opportunity to analyse their studio practice in depth, and to modify, develop and secure it accordingly.  The multidisciplinary context also ensures that such developments are protected against narrowly defined ambitions.

MFA students learn from, and contribute to, the delivery of the programme curriculum, the experiences of their peers, and the wider art community based within the city of Glasgow.  Within this situation a premium is placed upon independence, originality, initiative and enterprise.

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Welcome

Introduction to Master of Fine Art

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The Skinny

from Kitchen Midden Dog

from Kitchen Midden Dog

from Kitchen Midden Dog

from Kitchen Midden Dog

from Kitchen Midden Dog

from Wondering if men in suits turn me on or piss me off

from The human head is really heavy

from The human head is really heavy

from The human head is really heavy

from Wondering if men in suits turn me on or piss me off

from I must hitch up my girl knickers before it’s too late!

from I must hitch up my girl knickers before it’s too late!

from I must hitch up my girl knickers before it’s too late!

from I must hitch up my girl knickers before it’s too late!

from Door opening (2023)

from Sleep easy (2024)

from Squalid existence (2024)

from Sleep easy (2024)

from Radiator leak (2024)

A white chalk drawing of an intricate crochet pattern on paving stones
a close up of a white chalk drawing of a crochet pattern on paving stones with a ghostly white boot print

from Who sets the ground rules?

from Underneath the Antimacassar

from Underneath the Antimacassar

two men screen printing at a table, surrounded by other students

from Printmaking Workshops

from Printmaking Workshops

from Fishing Out the Foul Frog (in my throat)

from Fishing Out the Foul Frog (in my throat)

from Fishing Out the Foul Frog (in my throat)

from Fishing Out the Foul Frog (in my throat)

from Fishing Out the Foul Frog (in my throat)

from Innerspace

from Innerspace

from Innerspace

from Innerspace

from Innerspace

from The face

from How to rub my back?

from How to rub my back?

from A Mother and Her Daughter

from The hallabong is sad

from begged borrowed stolen

from flaming flowers that brightly blaze ✳✳

from a way \ a lone, a last \ a loved, a long the_____

from a way \ a lone, a last \ a loved, a long the_____

from begged borrowed stolen

from Fireworks in White Sun

from Chinese Interlude

from Fireworks in White Sun

from Chinese Interlude

from Exit Ghost

from I saw moths when I was manic

from I saw moths when I was manic

from I saw moths when I was manic

from Where_is_语言_مرضی_nehmen 나? 

from 1 Question ⋅ 20 People ⋅ 20 Glasgow ⋅ 20 World

from 1 Question ⋅ 20 People ⋅ 20 Glasgow ⋅ 20 World

from Where_is_语言_مرضی_nehmen 나? 

from 1 Question ⋅ 20 People ⋅ 20 Glasgow ⋅ 20 World

from but settled and fused

from Exuviae

from Icarus burns and I burn with him

from Icarus burns and I burn with him

from but settled and fused

from Prints

from Sculptures

The series of relief sculptures is born from the devastated imagery of Gaza's war-torn landscape. The rubble, a somber emblem of destruction and lives lost, speaks to the tragedy of people buried beneath their bombed homes. Within these sculptures, delicate and intricate drawings of children's clothes emerge, serving as poignant reminders of innocence amidst chaos. They serve as a metaphor for the fragility of life, while also bearing witness to the resilience and fortitude of the human spirit.

from Sculptures

from Sculptures

from Prints

from Trees02

from Trees02

from Oops!

from Trees02

from Oops!

from (In)visible heritage / residues of labour

from (In)visible heritage / residues of labour

from Iterations

from Installation details

from Installation details

from Tipping Point No.1-9

from Tipping Point No.1-9

from Tipping Point No.1-9

from Tipping Point No.1-9

from Statement; Q&A

from Statement; Q&A

from Statement; Q&A