Fine Art Photography

Stow Building, 18 students

Established in 1982, the Photography Programme at the GSA was the first programme of its kind in Europe to award a BA(Hons) Degree in Fine Art Photography and has produced successive generations of successful graduates, many of whom are now leaders in their field.

The programme is unusual within photographic education as it offers an opportunity to study photography as a specialist medium specifically within the context of contemporary fine art practice. It is a studio-based course that places a strong emphasis on the making of work. Given the prevalence of photographic images in our culture, the course aims to offer a critical platform from which fundamental questions about the nature of the photograph can be proposed and discussed.

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The Skinny

from know as we are also known

from know as we are also known

from know as we are also known

from ‘Introspection’

from ‘Introspection’

from ‘Introspection’

from ‘Introspection’

from ‘Introspection’

from a feeling in material

from a feeling in material

from a feeling in material

from a feeling in material

from a feeling in material

from ZANNI – Feature Film

from ZANNI – Feature Film

from ZANNI – Feature Film

from ZANNI – Feature Film

from ZANNI – Feature Film

from Where I Used to Live

from Where I Used to Live

from Degree Show Install

from Where I Used to Live

from Degree Show Install

from The Eye of the Waterfall

from Inside

from The Eye of the Waterfall

from Blue Betwixt

from The Eye of the Waterfall

from Nail House

from Dinner Table

from To the Dust

from Dinner Table

from Nail House

from [ Other Openings ] and [ Indistinct Rituals ]

from [ Other Openings ] and [ Indistinct Rituals ]

from [ Other Openings ] and [ Indistinct Rituals ]

from [ Other Openings ] and [ Indistinct Rituals ]

A monochrome photograph looking over a loch, with trees lining the far shore, clearly reflected in the still water. In the foreground, sedges grow at the waters edge. The photograph is wall mounted in a handmade steel frame.

from [an]d with Artemisia having a [m]irrour of steele yf thou clep any spiritts [tho]u shallt see them therin

A warm monochrome photograph looking over a very still loch, lined with woodland on the far shore seen through the mist. The limbs of the deciduous trees are visible, along with the silhouettes of large birds roosting in the branches. The photograph is wall mounted in a handmade steel frame.

from [an]d with Artemisia having a [m]irrour of steele yf thou clep any spiritts [tho]u shallt see them therin

Four photographs and a photogram of plants, framed in handmade steel frames without glass, in a scatter arrangement on the exhibition wall. To the left is a bundle of dried wormwood.

from The Garden

A detail view of the steel frame of a monochrome photograph of a burn running through woodland.

from [an]d with Artemisia having a [m]irrour of steele yf thou clep any spiritts [tho]u shallt see them therin

An installation view of Pharmacopœia, an 8mm film transferred to HD video begin rear projected onto the single remaining pane of glass in a suspended reclaimed window and the film negative shown as an analogue projection alongside.

from Pharmacopœia

from In the morning, we are going to go home.

from In the morning, we are going to go home.

from In the morning, we are going to go home.

from In the morning, we are going to go home.

from In the morning, we are going to go home.

from Funus, Fumus, Fuimus, Ecce

from The Snares of the Dead

from Mewn Dwyfoldeb

from Putting Old Ghosts to Rest

from A Voice to the Skin

from self-portraiture practice

from Unconscious Conscious

from Unconscious Conscious

from self-portraiture practice

from self-portraiture practice

from Mother

from Mother

from Mother

from Mother

from Mother